Questions & Answers
Browse all 43 questions from the
Metaphysical Poets MCQ Quiz study set below.
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1
The term “Metaphysical Poets” was first used by
-
A
John Dryden
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B
Samuel Johnson
-
C
T. S. Eliot
-
D
Ben Jonson
2
The phrase “unification of sensibility” is used by T. S. Eliot in relation to
-
A
Romantics
-
B
Metaphysical poets
-
C
Victorians
-
D
Modernists
3
“Dissociation of sensibility” is Eliot’s term for
-
A
the separation of rhyme and metre
-
B
the separation of thought and feeling after the 17th century
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C
the decline of drama
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D
the rise of sentimentalism
4
“Telescoping of images” is Eliot’s phrase used to describe the style of
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A
Wordsworth
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B
Coleridge
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C
John Donne
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D
Tennyson
5
Which of the following is not usually grouped under Metaphysical Poets?
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A
John Donne
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B
George Herbert
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C
Andrew Marvell
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D
William Blake
6
“A Valediction: Forbidding Mourning” is a poem by
-
A
George Herbert
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B
John Donne
-
C
Andrew Marvell
-
D
Henry Vaughan
7
“The Sun Rising” is written by
-
A
Andrew Marvell
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B
John Donne
-
C
George Herbert
-
D
Henry Vaughan
8
“Holy Sonnets” are associated with
-
A
George Herbert
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B
John Donne
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C
Andrew Marvell
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D
Thomas Carew
9
“Death, be not proud” is a sonnet by
-
A
William Shakespeare
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B
John Donne
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C
George Herbert
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D
Andrew Marvell
10
“No man is an island” is a line from
-
A
John Donne
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B
John Milton
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C
William Wordsworth
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D
T. S. Eliot
11
“To His Coy Mistress” is written by
-
A
John Donne
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B
Andrew Marvell
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C
George Herbert
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D
Henry Vaughan
12
Which of these is a Metaphysical Conceit?
-
A
Comparing sun to gold
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B
Comparing spring to flowers
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C
Comparing lovers to a pair of compasses
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D
Comparing rain to tears
13
Metaphysical Conceit is best described as
-
A
a simple, literal simile
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B
an extended, far-fetched, intellectual metaphor
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C
a short, rhyming line
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D
an alliteration
14
“Metaphysical Poets” is an essay by
-
A
I. A. Richards
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B
T. S. Eliot
-
C
F. R. Leavis
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D
Cleanth Brooks
15
Eliot’s “The Metaphysical Poets” was first published in
-
A
The Sacred Wood
-
B
The Egoist
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C
The Waste Land
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D
Prufrock
16
“The Metaphysical Poets” essay later appeared in the collection
-
A
The Waste Land
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B
The Sacred Wood
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C
Four Quartets
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D
The Rock
17
According to Eliot, the Metaphysical poets “devour all kinds of experience,” which means
-
A
they are immoral
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B
they integrate varied life experiences into poetry
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C
they write very long poems
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D
they avoid emotion
18
“Unification of sensibility” is opposed to
-
A
dramatic irony
-
B
dissociation of sensibility
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C
Romantic imagination
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D
narrative realism
19
“Dissociation of sensibility” is prominently discussed in Eliot’s essay
-
A
Tradition and the Individual Talent
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B
The Metaphysical Poets
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C
Hamlet and His Problems
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D
The Waste Land
20
Eliot attributes “dissociation of sensibility” mainly to poets after the
-
A
16th century
-
B
17th century
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C
18th century
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D
19th century
21
Which of the following is not a Metaphysical Poet?
-
A
John Donne
-
B
George Herbert
-
C
Henry Vaughan
-
D
Alexander Pope
22
“The Flea” is a poem by
-
A
George Herbert
-
B
John Donne
-
C
Andrew Marvell
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D
Henry Vaughan
23
Which poet is sometimes called the “leader” of the Metaphysical school?
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A
George Herbert
-
B
John Donne
-
C
Andrew Marvell
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D
Henry Vaughan
24
Why were these poets called “Metaphysical Poets”?
-
A
They wrote only about religion
-
B
They used far-fetched metaphors and philosophical ideas
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C
They avoided Latin learning
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D
They wrote in blank verse
25
The phrase “honest, original thinkers” applied to Metaphysical Poets is associated with
-
A
Samuel Johnson
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B
T. S. Eliot
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C
Dryden
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D
Sidney
26
“Perplexity and strain” in their poetry is not a criticism Eliot makes; it is Samuel Johnson who calls them
-
A
witty
-
B
perversely strange
-
C
dull
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D
musical
27
Eliot’s view of the Metaphysical Poets is basically
-
A
negative
-
B
indifferent
-
C
rehabilitative / positive
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D
purely historical
28
Eliot believes that the Metaphysical Poets transmuted ideas into
-
A
abstract philosophy
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B
pure music
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C
sensations and states of mind
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D
political slogans
29
Eliot compares the Metaphysical Poets’ fusion of thought and feeling to
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A
Romantic abandon
-
B
Classical restraint
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C
Symbolist fusion of idea and image
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D
Victorian moralism
30
Which French poet-group does Eliot link with Metaphysical Poets in terms of “unification of sensibility”?
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A
Romantics
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B
Symbolists
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C
Realists
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D
Surrealists
31
“Dissociation of sensibility” is Eliot’s criticism mainly of
-
A
Metaphysical Poets
-
B
18th-century poets (Dryden, Milton)
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C
Shakespeare
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D
Chaucer
32
Eliot says that after the 17th century emotion and thought are presented as
-
A
identical
-
B
separated
-
C
musical only
-
D
dramatic only
33
Eliot’s “unification of sensibility” is a key concept for understanding
-
A
Romanticism
-
B
Metaphysical poetry
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C
Victorian realism
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D
Modernist experimentation
34
Which of the following is not a typical feature of Metaphysical Poetry?
-
A
Wit and irony
-
B
Far-fetched conceits
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C
Simple, unadorned diction
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D
Intellectual argument in verse
35
“The Canonization” is written by
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A
George Herbert
-
B
John Donne
-
C
Andrew Marvell
-
D
Henry Vaughan
36
“The Collar” is written by
-
A
John Donne
-
B
George Herbert
-
C
Andrew Marvell
-
D
Henry Vaughan
37
“The World,” “The Temple,” and “Heart” are associated with
-
A
John Donne
-
B
George Herbert
-
C
Andrew Marvell
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D
Henry Vaughan
38
“The Revolving Light,” “The Rain,” “The World Below” are associated with
-
A
John Donne
-
B
George Herbert
-
C
Andrew Marvell
-
D
Henry Vaughan
39
“The Broken Heart,” “The Ecstasy,” “The Anniversary” are poems by
-
A
Andrew Marvell
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B
John Donne
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C
George Herbert
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D
Henry Vaughan
40
“The Definition of Love,” “The Garden,” “To His Coy Mistress” are poems by
-
A
John Donne
-
B
Andrew Marvell
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C
George Herbert
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D
Henry Vaughan
41
“The Metaphysical Poets” is essentially a
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A
biographical study
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B
stylistic and theoretical criticism
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C
political tract
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D
spiritual autobiography
42
Eliot’s essay on the Metaphysical Poets is an example of
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A
Romantic criticism
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B
New Criticism
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C
Marxist criticism
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D
Postcolonial criticism
43
Eliot’s “historical sense” is related to
-
A
Metaphysical poetry
-
B
Romantic poetry
-
C
Modernist poetry
-
D
Victorian poetry